What Topic With Islam to Choose?

What Topic With Islam to Choose?There are some excellent essays out there to choose from that have topics with Islam. These essays make great learning materials and you'll be hard pressed to find another topic with Islam. They are very fun and interesting to write, and are also practical.The topic can cover anything from using religion in the military to the idea of assimilation or the first Islamic legal code. They could be on the history of Muslim conquerors like the Romans, the Ottomans, the Portuguese, the Dutch, and the British. They could also be about the role of the Quran in various regions like Malaysia and the Philippines. You get the idea.There are many schools where you can learn the topics with Islam. They are state-approved, and they will teach you the topics of any nation or region. Some do well in teaching an entire nation, while others focus on a specific area, such as a particular region of Indonesia.Some do not offer this but instead offer a national curriculum. Ma ny of these do teach about the history of Islam and its role in various countries. They go into detail about the differences in the beliefs of the world's major religions. They also cover in depth about the history of religion.They will teach you about the wasabi story, the hadith, or simply Hashi (the word for memorization). You might also learn how the Qur'an was revealed, and the famous and infamous habits are taught. This makes for some great research material.They also talk about different aspects of Islamic principles, such as how to deal with other Muslims. They also discuss the concept of takfir (declaring someone an infidel) and helamic jurisprudence. These subjects give the essay topics with Islam an additional appeal.Essay topics with Islam make for fantastic studying materials. They offer a completely different angle to the subject, and are often better than a standard textbook. You might want to consider a topic of religion or history for your next project.

About Glenn Murcutt, an Australian Way of Architecture

Glenn Murcutt (born July 25, 1936) is arguably Australias most famous architect, although he was born in England. He has influenced generations of working architects and has won every major architecture award of the profession, including the 2002 Pritzker. Yet he remains obscure to many of his Australian countrymen, even as he is revered by architects worldwide. Murcutt is said to work alone, yet he opens his farm to professionals and students of architecture every year, giving master classes and promoting his vision:  Architects thinking locally acting globally. Murcutt was born in London, England, but grew up in the Morobe district of Papua New Guinea and in Sydney, Australia, where he learned to value simple, primitive architecture. From his father, Murcutt learned the philosophies of Henry David Thoreau, who believed that we should live simply and in harmony with natures laws. Murcutts father, a self-sufficient man of many talents, also introduced him to the streamlined modernist architecture of Ludwig Mies van der Rohe. Murcutts early work strongly reflects Mies van der Rohes ideals. One of Murcutts favorite quotations is a phrase he often heard his father say. The words, he believes, are from Thoreau: â€Å"Since most of us spend our lives doing ordinary tasks, the most important thing is to carry them out extraordinarily well.† Murcutt is also fond of quoting the Aboriginal proverb  Ã¢â‚¬Å"Touch the earth lightly.† From 1956 to 1961, Murcutt studied architecture at the University of New South Wales. After graduation, Murcutt traveled widely in 1962 and was impressed by the works of Jà ¸rn Utzon. On a later trip in 1973, he remembers the modernist 1932 Maison de Verre in Paris, France, as being influential. He was inspired by the Californian architecture of Richard Neutra and Craig Ellwood, and the crisp, uncomplicated work of Scandinavian architect Alvar Aalto. However, Murcutts designs quickly took on a distinctively Australian flavor. The Pritzker Prize-winning architect Glenn Murcutt is not a builder of skyscrapers. He doesnt design grand, showy structures or use flashy, luxurious materials. Instead, the principled designer pours his creativity into smaller projects that let him work alone and design economical buildings that will conserve energy and blend with the environment. All of his buildings (mostly rural houses) are in Australia. Murcutt chooses materials that can be produced easily and economically: glass, stone, brick, concrete, and corrugated metal. He pays close attention to the movement of the sun, moon, and seasons, and designs his buildings to harmonize with the movement of light and wind. Many of Murcutts buildings are not air-conditioned. Resembling open verandas, Murchutts houses suggest the simplicity of Farnsworth House of Mies van der Rohe, yet have the pragmatism of a sheepherders hut. Murcutt takes on few new projects but is intensely devoted to what he does, often spending many years working with his clients. At times he collaborates with his partner, architect Wendy Lewin. Glenn Murcutt is a master teacher;  Oz.e.tecture is the offical website of the Architecture Foundation Australia and the Glenn Murcutt Master Classes. Murcutt is proud to be the father of the Australian architect Nick Murcutt (1964–2011), whose own firm with partner Rachel Neeson flourishes as Neeson Murcutt Architects.   Murcutts Important Buildings The Marie Short House (1975) is one of Murcutts first homes to combine modern Miesian aesthetics with Australian wool shed practicality. With skylights that track the overhead sun and a galvanized corrugated steel roof, this elongated farmhouse on stilts takes advantage of the environment without harming it. The National Park Visitors Centre at Kempsey (1982) and the Berowra Waters Inn (1983) are two of Murcutts early nonresidential projects, but he worked on these while honing his residential designs. The Ball-Eastaway House (1983) was built as a retreat for the artists Sydney Ball and Lynne Eastaway. Nestled in an arid forest, the main structure of the building is supported on steel columns and steel I-beams.  By raising the house above the earth, Murcutt protected the dry soil and surrounding trees. The curved roof prevents dry leaves from settling on top.  An exterior fire extinguishing system provides emergency protection from forest blazes. Architect Murcutt thoughtfully placed the windows and meditation decks to create a sense of seclusion while still providing scenic views of the Australian landscape.   The Magney House (1984) is often called Glenn Murcutts most famous house as it integrates Murcutts elements of function and design. Also known as Bingie Farm, the architectural masterpiece is now part of the Airbnb program. The Marika-Alderton House (1994) was built for the Aboriginal artist Marmburra Wananumba Banduk Marika and her English husband, Mark Alderton. The house was prefabricated near Sydney and shipped to its location in the unforgiving Northern Territory of Australia. While being built, Murcutt was also working on the Bowali Visitors Centre at Kakadu National Park (1994), also in the Northern Territory, and the Simpson-Lee House (1994) located near Sydney. Glenn Murcutts more recent homes from the 21st century are often bought and sold, somewhat like investments or collectors items. The Walsh House (2005) and the Donaldson House (2016) fall into this category, not that Murcutts care in design is ever diminished. The Australian Islamic Centre (2016) near Melbourne may be the last worldly statement of an 80-year-old architect. Knowing little about mosque architecture, Murcutt studied, sketched, and planned for years before the modern design was approved and built. The traditional minaret is gone, yet the orientation toward Mecca remains. Colorful rooftop lanterns bathe interiors with colored sunlight, yet men and women have different access to those interiors. Like all of Glenn Murcutts work, this Australian mosque is not the first, but it is architecture that—through a thoughtful, iterative process of design—may be the best. I have always believed in the act of discovery rather than creativity, Murcutt said in his 2002 Pritzker acceptance speech. Any work that exists, or which has the potential to exist, is related to discovery. We do not create the work. I believe we, in fact, are discoverers. Murcutts Pritzker Architecture Prize Upon learning of his Pritzker award, Murcutt told reporters, Life is not about maximizing everything, its about giving something back—like light, space, form, serenity, joy. You have to give something back. Why did he become a Pritzker Laureate in 2002? In the words of the Pritzker jury: In an age obsessed with celebrity, the glitz of our starchitects, backed by large staffs and copious public relations support, dominates the headlines. As a total contrast,  our laureate works in a one-person office on the other side of the world...yet has a waiting list of clients, so intent is he to give each project his personal best. He is an innovative architectural technician who is capable of turning his sensitivity to the environment and to locality into forthright, totally honest, non-showy works of art. Bravo! —J. Carter Brown, Pritzker Prize jury chairman Fast Facts: The Glenn Murcutt Library Touch This Earth Lightly: Glenn Murcutt in His Own Words.  In an interview with Philp Drew, Glenn Murcutt talks about his life and describes how he developed the philosophies that shape his architecture. This thin paperback is not a lavish coffee table-book, but provides excellent insight into the thinking behind the designs. Glenn Murcutt: A Singular Architectural Practice.  Murcutts design philosophy presented in his own words is combined with commentary from architecture editors Haig Beck and Jackie Cooper. Through concept sketches, working drawings, photographs, and finished drawings, Murcutts ideas are explored in depth. Glenn Murcutt: Thinking Drawing / Working Drawing by Glenn Murcutt.  The architects solitary process is described by the solitary architect himself. Glenn Murcutt: University of Washington Master Studios and Lectures.  Murcutt has consistently conducted master classes at his farm in Australia, but hes also been forging a relationship with Seattle. This slim book by the University of Washington Press provided edited transcripts of conversations, lectures, and studios. The Architecture of Glenn Murcutt.  In a format large enough to display 13 of Murcutts most successful projects, this is the go-to book of photos, sketches, and descriptions that will introduce any neophyte to what the unwavering Glenn Murcutt is all about. Sources Glenn Murcutt 2002 Pritzker Laureate Acceptance Speech, The Hyatt Foundation, PDF at http://www.pritzkerprize.com/sites/default/files/file_fields/field_files_inline/2002_Acceptance_Speech_0.pdfAustralian Architect Becomes the 2002 Laureate of the Pritzker Architecture Prize, The Hyatt Foundation, https://www.pritzkerprize.com/laureates/2002

Characteristics Of Tragedy In The Merchant Of Venice

The Merchant of Venice by William Shakespeare is often called a problem play because it does not neatly fit the characteristics of either a comedy or a tragedy. A tragedy is a drama or literary work in which one of the main characters is brought to ruin or suffer extreme sorrow, especially as a tragic flaw or moral weakness. The Merchant of Venice has a character that is brought to ruin. It also has many other characteristics of a tragedy. Most of the events being serious is one of the characteristics of a tragedy. A comedy is any discourse or work that is intended to be humorous or to amuse by inducing laughter or it could simply be a story with a happy ending. The Merchant of Venice is not funny. The Merchant of Venice is more of a†¦show more content†¦Shylock must do these things because he attempted to murder a citizen of Venice. Shylock is not a citizen because he is a Jew so this means he gets more punishments. This is a tragedy for Shylock because he hates Christians and he wanted to get revenge on them. The tragic flaw was that he wanted to get revenge on Antonio but it backfired on him. This part of the play is tragic also because Antonio was supposed to lose one pound of his flesh. Antonio could have been the character that was brought to ruin. If this was a comedy play then there wouldn’t be any of these tragic scenes in the play. The third reason why The Merchant of Venice is a tragedy is that the events in the play were serious and tragic. They weren’t happy or comical. There were many tragic events in the story. When Antonio finds out his ships crashed it was tragic. This what Tubal says when he talks about Antonio’s ships: â€Å"Hath an argosy cast away, coming from Tripolis† (Shakespeare 3.1.95). This means his ship crashed in Tripolis. This is tragic for Antonio because he needs money from the ships to pay Shylock. Another tragic scene is in the courtroom when Shylock is forced to become a Christian. This is tragic for Shylock because he dislikes the Christians. The play is serious. Shylock’s desireShow MoreRelatedXenophobia in Othello and the Merchant of Venice1541 Words   |  7 Pagesand Tragedies From 1589 to 1613 William Shakespeare produced some of the most original, thought-provoking and emotionally compelling plays, sonnets, and poetry. Two of his finest pieces of work, Othello and The Merchant of Venice feature dynamic characters, and insights into the chivalry and the xenophobic disposition of the English people at the time. 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In particular, one can discover much about the prevailing attitudes of a society through its literature. Shakespeare, specifically, has written multiple works that incorporate generalizations of his era. For example, Shylock from The Merchant of Venice served as the archetypal Jew of the late 16th century. Othello explicitly includes race and religion as a fundamental part of the motivations behind the characters’ actions. In Othello, Shakespeare portrays Othello as a character that transcendsRead MoreThe Merchant Of Venice By Michael Radford1886 Words   |  8 Pages Shakespeare is known for the creativity and timelessness of his plays. The play The Merchant of Venice definitely captures the essence of universality. Different groups of people, even individuals, can connect to the character Shylock. Each person has their own view or interpretation of who Shylock is and what he represents. The movie The Merchant of Venice, directed by Michael Radford, portrays Shylock as a victim who suffers from violent discrimination. He finally retaliates only to find thatRead MoreWilliam Shakespeare s The Merchant Of Venice1970 Words   |  8 Pagesrecurrence with Shakespeare’s plays that the titles are reflective of the protagonists featured within. For example, the famous titles of Julius Caesar and Hamlet tell the tragedies of those respective characters. However, when it comes to William Shakespeare’s fourteenth play, The Merchant of Venice, it can be argued that Antonio, the m erchant, is not who the play is about. In fact, there is not just one character, but instead multiple that fit the description of the protagonist. The main plot, or rather

Health Care Ethics free essay sample

The Bartling case was about whether William Bartling had the right, over the objection of his physicians and the hospital, to have life-support equipment disconnected despite the fact that withdrawal of such devices will surely hasten his death. When he entered Glendale Adventist Hospital in California in 1984, he was known to be suffering from emphysema and diffuse arteriosclerosis, coronary arteriosclerosis, abdominal aneurysm, and inoperable lung cancer. At the end, He had to use mechanical respiratory and chest tube to assist his breathing in the ICU. Although each of these conditions could individually be lethal, he was not diagnosed as terminally ill. At first, Mr. Bartling asked his physicians to remove the ventilator but they refused. Then Mr. Bartling attempted to remove the ventilator tubes but was unsuccessful. Eventually, to prevent his attempt, he was placed in restraints so that the tubes could remain in place. The case was taken to Los Angeles Superior Court by Mr. We will write a custom essay sample on Health Care Ethics or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Scott. Because he was not considered terminally ill, the court refused either to allow the respirator to be disconnected or to order that Mr. Bartling’s hands be freed. At the second time, the case was taken to the California Court of Appeal. However, the result was that Mr. Bartling had the right to make his own decision, which was obviously different with the first time. So I think the main issue in this case is about patient’s decision-making capacity, specifically, when patient is able to make make the decision of his own medical treatments.