Indian Cinema And Its Impact On Society Film Studies Essay

Indian motion picture And Its Impact On Society Film Studies EssayIn our social club there are m either practices and traditions which are based on ignorance and which construct withheld the progress of our society. Rigidity of caste arranging, untouchability, dowry system and purdah system deliver done enormous harm to our society. movie theater subscribe tos abide do a lot to eradicate these evils. They can be used for promoting field integration, Prohibition, intercaste marriages, family planning, eradication of illiteracy, etc. Such themes can do the transformation of our society. The movie can be used as an instrument to help mess encounter rid of obscurantism and also to guide them along the right path. It can help in removing ignorance from our society. Not only this, several much compulsory social reforms can be introduced and brought about with the help of the cinema. http//essaysandarticles.com/science/the-cinema%E2%80%94-its-impact-on-society/There are vari able views about the effectuate of cinema. Producers and financiers consider it as a tempting and lucrative business. For actors and actresses, it is a means to earn notes and popularity among masses. The director, story-writer, song-writer and cinematographer take it as an art work. To some, it is an audio-visual translation of belles-lettress and has its own message. As for g overnment, it is a potential source of revenue and employment. For majority of cinema-goers, it is nothing moreover a flashy and interesting form of entertainment and pas judgment of conviction. Whatever whitethorn be the reason, cinema has occupied a major share of foodstuff for its cine lovers.http//www.preservearticles.com/201106127879/essay-on-the-effect-of-cinema-on-our-society.htmlIndian CinemaSince its beginning with the film genus Raja Harish Chandra (1913), the cinema has remained the about federal agencyful media for mass communication in India.Since its beginning with the film Raja Harish C handra (1913), the cinema has remained the most powerful media for mass communication in India. Cinema has the ability to combine entertainment with communication of ideas. It has the potential appeal for its audience. It sure as shooting leaves other media far behind in making such(prenominal) an appeal. As in literature, cinema has produced much which touches the innermost layers of the man. It mirrors the episodes in such a manner that leaves an impact on the coming generations. Cinema presents an image of the society in which it is born and the hopes, aspirations, frustration and contradictions present in any presumptuousness social order.In the present era, cinema is getting re come outd by itty-bitty screen productions. Televised serials and programmes are replacing craze. They advertise and earn revenue for industry. olibanum films telecast has become a source of further income for the industry and trade. gay has instincts, different thoughts flow which leave an effect on the opinions. The person laughs with the films and disunite with them. Scenes of Shaheed Bhagat Singh, a film by Raj Kumar Santoshi and Manoj Goswami makes people national-minded and sentimentally involved in the film try out. The fim dialogues are occupying places in our real life. Dialogues of Mugle Azam found place in the normal interaction of people for a long time. People talked and walked bid Prithvi Raj, the b course king Akbar. In the same way, plays by Agha Hashat and Devdas by Sharat Chandra unexpended a deep impact on the masses. In the same way, film Sholey make believed an imending effect on so umteen.http//www.preservearticles.com/201106127879/essay-on-the-effect-of-cinema-on-our-society.htmlExample of Bengali Cinema and how it portrays naive realism and Modernity are two words closely associated with Bengali cinema. almost of the broadest and among the most popular filmmakers of Bengal took realist genre of films to a raw(a) height, on base reflecting mod ernist ideas. Realism and modernism go hand-in-hand in Bengali films, especially in the work of greats want Satyajit Ray and Ritwik Ghatak.Although defining modernity would mean at least a few more pages, for the sake of this essay, we would deduct it mess to unblemishedly social, political and artistic modernization. Satyajit Rays magnum opus Pather Pancheli is one of the greatest examples of realist films enactment assorted elements of modernity. Inspired by Italian neo-realism (especially Vittorio De Siccas Bicycle Thief, 1948), Ray created his basic film and a masterpiece reflecting the evolution and social change in Bengal and a modernization of ideas and concepts.In Pather Panchali, Ray talks about sledding old ideas behind and locomote on. He talks about how over time, old ways of living, transmittable ideas and traditional lifestyle has become stale and admits to be changed. Apu, with his family, leaves his home and village at the end because the ancestral house h eld them behind. They travel to find a better way of living. They moved to get rid of the old house which couldnt help them in any way, solely instead took their daughters life.This whole film is a transition from pre-modern to a modern way of living. Ray distributes several fables throughout the film metaphors of modernity and need for change. One important character which served as a metaphor for me was that of the old aunty. Shes old, tired and just wanders around the house doing nothing. Shes often told to go indicating shes not wanted in the house. The family is fed up of her just as theyre fed up of traditions and the same lifestyle theyd been living in the awe of famine, poverty and survival. The old aunt wanders, trying to find a place for herself, and when she doesnt, she dies. Ray shows death of old ideas. Ray wants change. He shows a need for change and a break forward from traditions which are holding you back. He wants to show theres eternally a need for change. T he old aunt is a mere metaphor for him to show how traditions ready become stale.Charulata (1964), another one of the great films by Ray, also talks about change. But here, he sets it in an upper middle class Bengali society where a lonesome housewife falls in love with her brother-in-law while they both encourage each other to write. He puts two different ideas of home and desire, literature and politics, pre-modernism and modernity face-to-face.Rays films defecate a humanistic touch. He uses his foxiness to get to the deepest part of human heart and extract out the emotions from there. Scenes like Apu throwing away the necklace Durga had stolen, Amal leaving home to avoid being unfaithful, Durga stealing food for her aunt add to the humanistic approach of Satyajit Rays work.Neo-realism is another thing that inspired Ray. consort to me, its mainly because his stories were about society. He couldnt have made them in a fictional style because then they wouldnt be germane(predi cate) to the society. His stories were not meant to be mere films, but a reality somewhere in time which needed to be imitated in Bengali society and which was a face of the same society he lived in. His characters were sketches of real people. They were close to real. For example, when you intend Durga, you dont think of her as a two-dimensional frank or evil character, but as a girl who existed and had different attributes to her personality just like everybody else. She wasnt a puppet.Similarly, Ritwik Ghataks films introduced different modern themes to the evolving society of Bengal such as alienation, isolation, need for home.In one of his most personal and also socially relevant films Ajantrik, Ghatak introduces the concept of alienation and isolation from the society. He shows a mans attachment to his car, an non-living object and a troubled social life where he lean connect well to the people around him. Scenes like where the character Bimal is talk of the town to his c ar, the car responding to him, him taking care of the car like a buster and not caring about what his society says, show how important a character Jagaddal (the car) is. Ghatak doesnt treat the car as a prop, but as a character itself. He tries to show the cars point of view he wants to make us feel its presence thus implying the fact how dealings have also evolved along with modernization of ideas and society how people have become more involved with their property rather than fellow human beings.Similarly, in Subarnarekha (1965), Ghatak reflects on the feeling of home (along with many other sub-themes such as happiness, relations). His work has been about change, modernity and its effects and mainly, how partition has bear on society and Ghatak himself.In Subarnarekha, he tells a story of a family moving to the bank of Subarnarekha River after the partition and how the girl Sita seeks happiness throughout the film. Moreover, he tells of her feeling at the new home. The river be comes the new home for her who she confides in her secrets, woes and happiness.From what I sight in Ghataks films, he believes that society has changed from being a conjunction to more of a collective living of different individuals. I observed individualism in his work, and how people have turned from their fellows to nature or man-made beauty whether it is mountains and rivers to cars and property.I think there are many modernist elements found in both Satyajit Ray and Ritwik Ghataks films ranging from their content and themes (home, anthropomorphism, modernity itself) to their craft (use of POV shots, different style of cinematography, manipulating space and even the use of Brechtian elements).ConclusionIt is always tidy and well groomed to see good subjects on cinema. They have a very positive and long-lasting effect on the minds whereas cheap and shabby movies affect the tender minds of audience very badly. There is frequent feeling that present day crimes are all due to ef fects of cinema. Besides open and demonstrative subjects throw tarnished messages. They spoil our culture, and society. Cinema and TV badly affect the health of the youngsters. They neglect studies and physical games to spend more time on this entertainment. School-going children and society children fail to make use of good impacts and are influenced by the bad part of the programmes on the air.The motive is not to discard cinema or TV telecast so easily. The sexually attractive act will be to selective and choosy for programmes. Good movies should be seen by the students. The movies of TV shows should be very much restricted and for a fix time.The cinema exercises a great influence on the mind of the people. It has a great educative value. It can achieve splendid results in the field of expansion of education. There are certain subjects, such as science and geography, which can be more effectively taught with the help of talkies. Lessons on road sense, rules of hygiene and civic sense can be taught to the students and the public as well in a very effective manner with the help of cinema pictures. Many successful experiments have been made in various countries on the utility of films as a means of education. Feature films have been produced for school and college students and students are being benefitted by them.Cinema films have the power to influence the thinking of the people. They have changed the society and social trends. They have introduced new fashions in society. They may be described as pace-setters. They can create a direct impact on our social life. Films can go a long way towards arousing national consciousness and also in utilising the energies of the youth in social reconstruction and nation-building by a skilful adaption of good moral, social and educative themes, and by introduction of popular sentiments, films can, to a great extent, formulate and guide public opinion